ReOrient
2004-Sixth Annual Festival of Short Plays Exploring the Middle East
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Selections include Between the Eyes, a play by the MacArthur Genius Award recipient, Naomi
Wallace, Compression of a Casualty by Kevin Doyle, exploring the
news coverage of the Iraq War; as well as a special performance OPENING WEEK
ONLY by Bay Area native, Betty Shamieh, performing excerpts from her critically
acclaimed play of monologues, Chocolate in Heat, Growing Up Arab in America.
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Presented in two alternating series:
Series 1, Thursdays & Saturdays
- Chocolate
in Heat, Growing Up Arab in America
by Betty Shamieh
Excerpts from critically acclaimed monologues
about love, sex and privilege told
through the eyes of Arab-American
characters. Special performance by the
author OPENING WEEK.
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- Disheartened
by Melis Bilgin directed by Hal Gelb
Set in a post apocalyptic world, two boys' search for food produces an unimaginable outcome.
- Between the Eyes
by Naomi Wallace directed by Amy Mueller
An Israeli man remembers his father's mistreatment of their Palestinian house-keeper. A deeply moving monologue by this recipient of the McArthur Fellowship, the Genius Award.
- Falling
by William Borden directed by Arlene
Hood
An imaginary conversation between two people jumping off one of the Towers on 9/11.
- Taziyeh
by Novid Parsi directed by Arlene Hood
A Taziyeh troupe enlists an Iranian-American to play Shemr, the man who murders Hussain. It is a part no one wants to play, and no one will?
["Taziyeh" is a Shiite passion play about the martyrdom of Hussain in
Karbala.]
Series 2, Fridays & Sundays
- Don't Eat the Tomatoes
by Fatma Durmush directed by Torange Yeghiazarian
Misery turns humans into a tomato. A Turkish couple first reject and then explore the commercial possibilities of this phenomenon.
- Compression of a Casualty
by Kevin Doyle directed by Laura Hope
CNN news reporters stuck in the narrative of an American soldier's death in Iraq. They can neither tell the deeper tale, nor move on.
- Dinner/ Khnamakhos
by Lilly Thomassian directed by Meredith Weiss Friedman
Two Armenian families gather to celebrate the union of their son and daughter. The only problem is, the daughter has become entirely invisible!
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Special
Events, Free to the Public:
Saturday, September 18 at 4 pm, Noh Space
"Tazieh," a Traditional Iranian Passion Play
Historical context & contemporary experiments
Presenters: Rebecca Ansary Pettys, theater scholar and artist, Haleh Hatami, poet
Sunday, October 3 at 4 pm, Noh Space
Playwrights' Roundtable
Join the artists in an informal discussion on writing and the Middle East
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Staged Reading Series:
Wednesday, September 29@ Noh Space
The Beauty Inside by Catherine Filloux
directed by Jessica Heidt
A touching story of an unexpected friendship between two very different women. Based on the true case of an honor killing that is averted in Turkey.
Tuesday, October 5 @ Noh Space
Guest of a Few Days by Mohsen Yalfani directed by Torange Yeghiazarian
A love triangle exposes the political conflict between two friends whose paths diverted in pre-revolutionary Iran.
Wednesday, October 20 @ Ashby Stage**
Shooting Magda by Joshua Sobol directed by Amy Mueller.
The line between fact and fiction blurs during this overnight film shooting by Israeli and Palestinian artists.
Monday, November 1 @ A Traveling Jewish Theatre
Bounty of Lace by Susan Merson, directed by Rebecca Novick
This play follows a delicious afternoon tea party among four Israeli women which disintegrates into an exploration of the romantic boundaries of the politically fraught region.
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Artist Biographies
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| William
Borden's
scripts have won 37 national playwriting
competitions and have had over 200
productions.
The film version of his play, The
Last Prostitute, was shown on Lifetime
Television and in Europe and is available on
video. His
novel, Superstoe, was recently republished by Orloff Press.
A Core Alumnus Playwright at The
Playwrights' Center in Minneapolis, he is
Playwright-in -Residence with Listening Winds
Theatre.
He is a member of PEN, The Dramatists
Guild, ASCAP and the Authors Guild.
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| Fatma Durmush
was born in Larnaca, Cyprus, in 1959.
At the age of six, she migrated to
England with her family and, despite a brief
return to Cyprus in her teens, went to school
in London and studied Humanities at the Open
University for two years.
Her work has been published in the
Turkish language press and in the Big
Issue and Daily Express.
Fatma�s collection of plays and short
stories, I Sit in the Light, was published in 2000. She
won first prize for poetry in the FATAL Short
Story and Poetry Competition for Turkish
Speaking Women in 1998. Her poems can be found in Modern
Poetry in Translation, New
Series No. 17 � 2001.
Fatima writes in English.
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| Novid
Parsi,
a son of immigrant Iranians, grew up in East
Texas and studied literature at Swarthmore and
Duke. His
plays have been produced and given staged
readings by Immigrants' Theatre Project, New
York; The New Group, New York; Stephen Joseph,
Scarborough, England; Paines Plough, London;
and the Young Vic, London, among others. Novid
has also published short fiction and
criticism.
He lives in Chicago.
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| Betty Shamieh is a Palestinian-American writer and actor. She is currently a Van Lier
Fellow at New Dramatists. Her solo performance
work Chocolate in Heat, in addition to
being remounted off-off-Broadway, will tour
various theatres on the West Coast.
Betty presented a monologue Tamam she
wrote for Imagine: Iraq at Cooper
Union (co-presented by The Artists Network and
SALAAM), which will be presented in London and
New York at the Brave New World Festivals.
She, along with a group of writers including
David Henry Hwang, has been invited to
contribute a new work for the Victory Project
that will be presented at Columbia
University's Miller Theatre later this year.
She received a BA in English Language and
Literature from Harvard College, MFA in
Playwriting from the Yale School of Drama and
is presently a Professor of Screenwriting at
Marymount Manhattan College.
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Lilly
Thomassian
was born in Iran and studied at the
University of Geneva.
She is an award-winning poet and
playwright.
In 1998, she was selected to
participate in Wordsmiths, a workshop
supported by the City of Los Angeles
Cultural Department.
That same year, her one-act play, How
Do I Look, was a finalist in the Pathway
Productions� National Contest.
The Interrogation, a play
inspired by the Iranian revolution, was a
finalist in the 2001 Ashland New Plays
Festival and the 2003 Senachai Festival in
Chicago.
She is perhaps best known for her
play, Let
the Rocks Speak,
which won the 2001 Catawba College Peterson
Award. It was also awarded an Honorable Mention in the Plays for the 21st
Century by the Playwrights Theater in Texas
and was the finalist in the David Mark Cohen
National Playwriting Competition.
In 2002, parts of the play were
performed during the 1st Annual
Genocide Commemorative Event at the Glendale
Civic Auditorium.
Let the Rocks Speak was
produced by ShapeShifter Productions in
March 2003 at the Fountain Theatre in
Hollywood. Lilly has been a long time active
member of FirstStage in Hollywood, where she
is currently part of the Artistic Committee.
She is also member of Playwrights Ink, a
prestigious playwriting group whose
members� plays have won many theatre
awards.
She belongs to the Alliance of Los
Angeles Playwrights.
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| Naomi Wallace was a 1999 recipient of the
prestigious MacArthur Fellowship, the grant
popularly known as the genius award. Her
newest play, The Inland Sea, will have
its world premiere in London this spring,
produced by the Oxford Stage Company. Slaughter
City was awarded the 1995 Mobil Prize and
received its world premiere in January 1996 at
the Royal Shakespeare Company. In The Heart
Of America received its world
premiere at the Bush and was subsequently
produced at the Long Wharf Theater and in
Dortmund, Germany. It was published in American
Theater magazine and was awarded the 1995
Susan Smith Blackburn Prize. Her plays are
published in Great Britain by Faber and Faber,
and in the U S by Broadway Play Publishing
Inc. A collection of her plays, In The
Heart Of America And Other Plays,
was published by TCG in 2001. At
present, Wallace is under commission by The
New York Shakespeare Festival-The Public
Theatre, Paines Plough of London, and is also
co-writing a film script on the Ludlow
massacre of 1913 with Bruce McLeod and the
historian Howard Zinn.
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Tickets
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Advanced ticket sales available by phone
using MC/Visa ($5 fee)
Reservations/ Info: 510.986.9194
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Dates
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September 16 to October 10
Noh Space
2840 Mariposa St., San Francisco
October 15 - 24
The Ashby Stage
1901 Ashby Ave., Berkeley
Previews - 3 admitted for the price of 1: September 16 & 17
Opening Night Performance & Reception: September 18, $25
Thursdays, Fridays, Saturdays at 8 pm & Sundays at 7 pm
Matinees at 3 pm on Sunday, October 17 and 24
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Admission
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General Admission $18,
TBA/Student/Senior $12
Previews - 3 admitted for the price of 1
Opening Night Performance & Reception: $25
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Performed At
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September 16 to October 10
Noh Space
2840 Mariposa St., San Francisco
October 15 - 24
The Ashby Stage
1901 Ashby Ave., Berkeley
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Snapshots
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Dinner by Lilly Thomassian
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Tazieh by Novid Parsi

Don't Eat the Tomatoes
by Fatma Durmush

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| Series 1 Performance:
Toby Brooks & Ben
Beecroft in Melis Bilgin's
"Disheartened"

Katie Brown & David Fierro in
William Borden's "Falling"
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| Series 2 Performance:
Max Ewalt & Sheri Bass in Lilly
Tomassian's "Dinner"

Zak Kilberg in Kevin
Doyle's "Compression of a Casualty"

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Cast
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Ann Marie Donahue, Ben Beecroft, Cyrus
Tinati, David Fierro, Doyle Ott, Katy Brown,
Keahn Malak-Madani, Lisa Tateosian,
Maxmillienne Ewalt, Nail Ghechem, Patrick
MacKellan, Sara Luna, Sheri Bass, Suha Araj,
Tiffany
Harrison, Toby Brooks, Vida Ghahremani, Zak
Kilberg.
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Crew
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Sound Design: Marc Hagan Light Design:
Stephen Siegel Set Design: Mikiko Uesugi Costume Design: Keri Fitch Video
Artist: Alan Jose
Set Build & Props: Patrick Keene Stage Manager:
Diana Strachan Production Ast: Lisa Medina
Graphic Design: Miriam Behpour
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